[…] at some point I realised that many of my projects exist in the ephemeral parts of exhibitions – flyers, room texts, hand outs, zines etc. and are therefore very reproducible and portable. I started this website with the idea that visitors of the site could download scans, pdfs, websites of these works from the link above and then have a copy of the work for themselves. However, if you just want a quick look, I’ve also listed a selection of projects below with some accompanying images.
How to meet from a distance? (2022-2023) Is a programme at Marwan artist-run project space, Amsterdam, NL. Curated together with Tirza Kater and Tim Mathijsen (pictured here with Karin Iturralde Nurnberg).
For more info, please visit: www.marwanmarwan.com
A reading group started with Yuliia Elyas on making space (2021).
~Spatial Hair~ (2021) was an assembly of works by Joke Aarnink, Giulia Bierens de Haan, Yuliia Elyas, Clement Gagliano, April Gertler, Karin Iturralde, Tirza Kater, Manuel Loparco, Alina Lupu, Tim Mathijsen, Becket MWN, Eva Pel, Andrea Salerno and Sasha Serebriakova. Documented by drawings and newsletters. Installation drawing, The Weather (Speculation), 2019, Becket MWN.
For copies of the newsletters, see ‘DieuwertjeHehewerth_Work.zip.’
11 zines made during lockdown (2021), Amsterdam, NL.
This closure (2021) was an online meeting between artist-run spaces Atelier W (FR), LOA Gallery (UK), Marwan (NL), Meanwhile (NZ), Pose (TR) and Tlaxcala3 (MX). Organised in collaboration with Deniz Kirkali. Drawing documentation for this closure by Céline Notheaux (2021), pencil on paper.
Salticidae: Icius (2019), is a book on independent art initiatives with contributions by arebyte Gallery (GB), Atelier W (FR), bologna.cc (NL), Chalton Gallery (GB), The Community (FR), Diaspore (GB), Doméstico (ES), Farbvision (DE), Glassbox (FR), Julio (FR), The Living Room (GB), Marwan (NL), Residency24 (NL), Stadium (DE), Subsidiary Projects (GB), Super (DE), Tomás Ruiz-Rivas (ES), Tropez (DE), and Veronica (NL). Photography by Justina Nekrašaitė.
For a pdf, see ‘DieuwertjeHehewerth_Work.zip.’
Practicing spectatorship at Gerrit Rietveld Academie Graduation Show (2018) Amsterdam, NL, with Ksenia Perek, Orin Bristow, Janneke Wesseling, and Carola Hehewerth.
For more documentation, see ‘DieuwertjeHehewerth_Work.zip.’
Thesis for Bachelor of Art and Design (2018), Gerrit Rietveld Academie, Amsterdam, NL.
For pdf, see ‘DieuwertjeHehewerth_Work.zip.’
What you told me when you pretended to be asleep? (2018), Gerrit Rietveld Academie, Amsterdam, NL. Curated by Karin Iturralde Nurnberg.
For more documentation, see ‘DieuwertjeHehewerth_Work.zip.’
Antonyms (2018), lino print, 225 x 277mm.
A Project Space in Amsterdam, NL (2017-2019). Installation view of The Good Listener (2019), by Alison Yip.
For full documentation of the project space, see ‘DieuwertjeHehewerth_Work.zip.’
Contribution to Uncut (2017), Stedelijk Museum Amsterdam, NL.
For a pdf of the work, see ‘DieuwertjeHehewerth_Work.zip.’
Installation shot of Art Before 1970 (2017), at Stedelijk Museum Amsterdam, NL.
For pdf, see ‘DieuwertjeHehewerth_Work.zip.’
Cover of catalogue, Elias and the Fine Arts Department (2017), Gerrit Rietveld Academie, Amsterdam, NL. Group Show.
Work located in catalogue. See ‘DieuwertjeHehewerth_Work.zip.’
Ten Traumatically Ineffective Projects (2016) was a series of ten exhibitions of failed works. Featuring the works of: Manon Runel, Manuella Rosso, Eva Vasillou, Zuzana Kostelanská, Marit Brown, amongst others.
For full catalogue, see ‘DieuwertjeHehewerth_Work.zip.’
Solo exhibition (2015) at Konstanet, Talinn, ES.
For more documentation, see ‘DieuwertjeHehewerth_Work.zip.’